Cabinet-making

For my final  project while still a student on John Lloyd's fine furniture-making course, I am making a cabinet. Initially I was thinking of making a corner cabinet but as I was making sketches and plans I decided against it because there would be less usable space within it.

This is a basic sketch of my idea. The swooping serpentine curve will form the edges of the top section's cabinet doors. It will then flow through the middle section of eight drawers and down through the lower cabinet door to the cabinet's foot where it ends with a flourish.

The cabinet will be about 2 metres tall by 40cm wide and 30 cm deep.

I went to English Woodlands Timber to get the wood on Friday. Warehouse man, Graham, helped me nose through piles of boards to find the ones that I wanted. 

The carcass will be constructed from Sapele, a tropical red-coloured hard wood, the batch that I selected my boards from had been imported from the Democratic Republic of Congo. 

Most of the cabinet's front will be from Maple which is a beautiful light coloured wood with a very close grain.

Unfortunately the wood won't be delivered until Tuesday/Wednesday and so in the meantime I think I'll be making a few templates for all those curves...

Vincent's American cherry shelf and bookcase

A late shelving update...

Finished in Osmo polyx oil for a beautiful satin finish which enhances the wonderful grain that runs through the American Cherry wood.

The wood came from those lovely folk at English Woodlands Timber.

A library for Vincent

Vincent was once a magnificent creature roaming around some fecund forest somewhere, escorting his does and wrestling the male competition with his impressive antlers.

That was some time ago.

Now his head hangs grandly on a living room wall in Brighton, East Sussex.

I have been commissioned to create some shelving in his alcove.

The room is blessed with sunshine for a good portion of the day, the sash windows reach from floor to high ceiling and a beautiful modern chandelier hangs in the centre of the room.

Because of the light and the proportions of the room, the decor is bold with pieces of dark wood furniture and a rich red on the walls.

I've been asked to fit three shelves: One running the width of the space and two more floating shelves next to the desk.

After some discussion of options, my client has plumped for American Cherry timber. A good chunky thickness for the long shelf and a slightly lighter weight for the shorter shelves alongside the desk.

I start work April 10th. Very exciting.

I'll be your Emmylou...

Scandinavian loveliness. First Aid Kit's video for Emmylou.

but they are a little spooky aren't they?

The Fish Tank's Grand Stand

I was asked to design and build a stand for a round 35 litre fish tank. So I did. Using walnut veneer on board and lipped with French walnut I created a contemporary looking design with a circle through its core to complement the glass globe. I finished the piece with a wax oil on top of shellac to give it low sheen silk finish. 

I love the way the lamp from the tank creates circles of light around the base of the walnut stand.

Glues and hooves and veneer

Been maintaining blog silence for a while because we've been offline at home while we changed internet provider (Talk Talk truly are abysmal).

In the meantime Kenny the dog has been doubling in length, height and badass attitude and I've managed to acquire some new woodworking knowledge and a few tools to make it look convincing.

My bench adorned with some fetching new tools

Last week was veneering - not a craft for a sensitive vegetarian. I spent most of last week covered in animal glue... a product of melted down hide and hooves that is warmed gently over hot water for use. It smells like something that has died but you do get used to that. 

It is irritatingly sticky and messy though and should only be used by skilled, organised and coordinated craftsfolk. 

I managed to stick myself to the bench and cover my veneer panels with thick residues that will take a week of finishing and polishing classes to remove.

That said, I was chuffed by my veneered panel with Zebrano edging (oh yes) and a line and a jolly 2-tone star in the middle:

Next I start work on my small box. I am making it out of French walnut which is a gorgeous wood with a slightly salmon coloured tone to it. 

French Walnut planed flat

I'm hoping for some precise and eminently beautiful dovetails to join it all together and a stunning veneered lid. It's early days...

I am also learning how to do technical drawings and plans.
This is a plan for a small box

Bonus content... Our visit to Cockings Sawmills, Midhurst, West Sussex.

Precision

After a week of skinning various pieces of wood to reveal their inner beauty, i put down my plane.

In response to my bleatings about RSI, John (Cabinet-maker-in-chief) showed mercy and introduced me to the art of the dovetail joint.

A seasoned dovetailer of his calibre can make the whole exercise in precision look like a simple process of light sawing and delicate wood love with a chisel. I found it slightly less simple.

His show-and-tell session lasted no more than half an hour and resulted in an immaculate no-gaps-joint.

Around six hours later I produced a joint that looked a bit like a set of badly looked after teeth.

He examined my offering while endeavouring to find some small redeeming feature to use as means of encouragement.

He couldn't.

"It's all about precision, you see." he reiterated.

My head swam with examples of my innate lack of precision both practical and intellectual.

Kenny drools over my dovetails

I ignored them and set about a new set of dovetails, my tongue poking out in concentration - like a 6 year old learning to write.

I will learn precision, I will!

Days passed.

I sawed and chiseled away at four further dovetail sets, each one improving minutely in quality on the one before.

The fifth was no triumph but would serve its purpose.

John, probably running out of ways of turning negatives into positives, has redirected me to my cast-aside Clifton jack plane.